But she seemed a remarkably nice lady for all that. Like her friend Jane Russell, she was a devout Born Again Christian and a staunch right-wing Republican.
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She had drifted into doing guest spots in TV cop shows or ‘witnessing’ on evangelical Christian broadcasts about how Jesus had helped her through her countless divorces and remarriages. I was desperate to see Rhonda in other movies – but, alas, by the 70s she and the films she made had fallen out of favour. She was supplanted a year or so later by Brigitte Bardot in Viva Maria (1965).
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So bowled over was I by this bravura display that Rhonda became, albeit briefly, my Absolute Number One Favourite Star. After all, what was the point of acting if nobody could see you act? This bothered me not the slightest as a child. But she repeats this gesture so often and so energetically that we fear she is about to gnaw her arm off at the elbow. She has remarkably beautiful hands, with long and sinuous fingers. At each crisis – and one arises, reliably, at intervals of five minutes or less – she raises an arm in front of her face to indicate shock. Her eyes blaze imperiously in every close-up. Her every pose and expression is designed to fill a vast Technicolor screen.
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That is because her acting is never marred by subtlety or underplaying of any sort.
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That can only ever be a good thing.Īn actress who never quite scaled the heights of Hollywood stardom, Rhonda Fleming is the ideal protagonist for a movie like Queen of Babylon. The fate of empires may hang in the balance, but this movie is less about politics than about fashion. She marries the king in a crown that looks like a silver filigree flower pot perched on her head. But she still makes short work of a gorgeous half-naked slave boy, who has been placed in the middle of the dance floor for just that purpose. OK, so she stops short of firing bullets out of her bra. It is eerily similar to the one worn by Ursula Andress in The Tenth Victim (1965). She does an erotic dance before the king in a bikini made of aluminium foil. The wardrobe worn by Rhonda Fleming is the sort a drag artiste would kill for.
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Watching Queen of Babylon today, it is hard to imagine a movie better calculated to appeal to a gay eight-year-old. This was my introduction to the fact that any and all relationships involve some form of compromise. But she only did it to save the man she loved – a dashing rebel leader named Amahl (Ricardo Montalban) – from being tossed into a giant swimming pool and eaten alive by hungry crocodiles. It was true she got married to the evil King Assur. Not that she was driven by anything as crass as a lust for power. It was a flashy, splashy, trashy Italian epic about a feisty red-haired shepherd girl named Semiramis (Rhonda Fleming) who rose to become queen of a vast empire. When I was eight years old, I thought that Queen of Babylon (1954) was quite simply the most wonderful film I had ever seen. “It was to save your life that I became…what I am”Ī weird numinous glow seems to emanate from movies you loved as a child.